Text of my ‘When Worlds Collide’ column published in Ceylon Today Sunday broadsheet newspaper on 9 June 2013
“Don’t we need permission to blog?” asked a bright and eager grassroots development worker during one of my new media training sessions in Sri Lanka a few months ago. When I assured her that none was required, she still didn’t seem convinced.All her young life, she had played by our society’s hierarchical rules and looked for somebody’s consent (parent, teacher or boss) before expressing herself. She couldn’t believe it was now possible to do so online without any!
Indeed, thousands of Lankans already do, and our blogosphere – cyber space made up of all blogs and their interconnections — is alive with the voices of people from all walks of life (more diverse than you’d think).
Lankan bloggers regularly speak their mind, and discuss all sorts of issues both profound and mundane. They use English, Sinhala and Tamil – and sometimes hybrid lingo. They don’t let technology or language get in their way.
Oh sure, it’s a highly contested and contentious space – but isn’t that what ALL media is supposed to be? In reality, some of our most interesting and intense social, political and cultural debates are now unfolding on the web, while our self-censoring, deferential or indifferent mainstream media watch from the sidelines.
As Internet spreads in Lankan society – currently estimated to be used by around 20% of population – people are turning to dozens of platforms and applications.
Blogging is just the tip of the social media (SM) iceberg. Facebook, Twitter, YouTube…these and other forms are fast evolving. They have become key outreach and engagement tools for business.
With over 1.5 million Facebook accounts and an estimated 14,000 Twitter accounts in Sri Lanka (and counting), social media now occupy a significant part of our public and private discourse. The success of youthful satirists like Jehan R – the most popular Lankan on YouTube – indicates how individuals can leverage these with imagination and innovation. New brands and campaigns are being built in unlikely ways.
Riding the Wave
How can social activists, researchers and development workers ride this wave for their awareness raising, public education, advocacy and campaigning purposes? Which SM tools offer the best outreach and engagement potential in the South Asian and Lankan contexts? What should be the key elements of a new media strategy for development and social sector organisations?
We just spent some time discussing these and other questions at a three-day workshop that I was involved in running last week in Colombo. Titled “E-Outreach and Engagement: New Media for Strategic Communication in Development”, it was organised by the Centre for Science and Environment (CSE) India and TVE Asia Pacific.
For development communicators, we agreed, SM tools are means to a greater end: how to spark off good conversations and interactions between people. In this context, ‘media’ can mean anything digital — words, sounds, pictures, video, or any combination — shared via the web.
The challenge for advocacy groups and activists is to find the right mix of tools, engagement methods and messages to inspire social change. Given Sri Lanka’s analog-digital co-existence, they must straddle the two spheres of old and new media. Relative emphasis depends on intended audience.
Their first challenge, however, is within: to shed intellectual baggage. Many development activists are still sceptical – if not outright suspicious — of new media. At best, anything to do with computers and web still evokes some hesitation, usually from people on the other side of 40 (‘Digital Immigrants’). Obsolete statistics are being cited in discussions on the ‘digital divide’.
Yes, the web can be cacophonous, confusing, distracting and even frivolous at times. But then, so is the real world! We need discernment both online and offline.
Colonising the Web
Lankan-born Anuradha Vittachi, a pioneer in tapping the web’s power for social activism and community building, recalls the time when the web first rolled out in the early 1990s. It was seen — and quickly branded — as a place for geeks, paedophiles and the military.
Instead of complaining, and without getting trapped in endless debates on the digital divide, Anuradha moved in to ‘colonise’ the new medium with relevant content and created a space for discussion and sharing. In 1994-95, she co-founded OneWorld.net, the world’s first portal on human rights and sustainable development. Others quickly followed.
And if the original web during the narrowband era opened up new vistas, the rolling out of broadband Internet in the mid 2000s unleashed much more potential. Collectively called web 2.0, the second generation web tools and platforms have spawned many and varied social media. The end is nowhere in sight.
These SM enable easier networking and content sharing, and, most notably, spurs collaboration among users. For those in development, humanitarian and social sectors, they offer the potential for not just outreach, but sustained engagement.
The development community has long wished for more interactive and participatory communication methods. That wish is now within reach.
But be careful in what you wish for. Like a tsunami, the new media wave can sweep away much in its path and flatten structures sooner than hierarchies would like or organisations could adapt.
What’s to be done? The only coping strategy: to learn by doing.
Beware of those claiming to be new media experts, I told the Colombo workshop, for everyone is climbing the learning curve and surfing the new wave. Everything is experimental. No one has all the answers.
In this new and uncertain world, we need to be daring and adventurous, perhaps a bit like Sinbad — the legendary sailor of Baghdad. As he did, we too must take our chances and venture into the unknown, relying on our guts, ingenuity and intuition.
I’ve been blogging for over six years, tweeting for three, and am still trying to make up my mind about Facebook (is it the shallow end of the SM pool?). I learn something new every week, while making mistakes that rather amuse my ‘Digital Native’ daughter, 16.
The American academic and writer on Internet technologies, Clay Shirky, describes how he has to do ‘more weeding than planting’ – spending more energy trying to forget the irrelevant than learning about the new.
Intolerance Online
For the open-minded activist or researcher, meanwhile, social media offers many opportunities for learning, exploring and influencing. They can collaborate across time and space, solving problems or promoting reforms.
Change is a slow process, and digital tools aren’t a magic wand. Each society must define its own course and narrative in today’s always-on, endlessly-chatting world. The new tools come with their own nuances, complexities and contradictions.
In post war Sri Lanka, those promoting a progressive, egalitarian and equitable society confront the formidable forces of entrenched feudalism, state authoritarianism and new forms of extremism. For simply holding a different point of view, they can experience not only verbal threats, but often violent physical attacks.
In recent months, such intolerance has spilled over into social media. Racists, religious bigots, conspiracy theorists and assorted rabble rousers have taken cover behind the web’s anonymity and pseudonymity to indulge in widespread vilification and demonisation. Facebook, in particular, has become a space for spewing venom and hatred.
Those advocating rule of law, respect for human rights and clean, transparent government have been particularly targeted. Simply marching – or having a candlelight vigil — for racial harmony has elicited dire threats to citizens peacefully expressing themselves.
In such a charged setting, Lankan activists must carefully choose their words, images and platforms, and stay their course while ensuring personal safety, online security, systems redundancy and exemplary conduct.
They have been here before, even if the cyberspace dimension is somewhat new.
In January 2009, as the Lankan war was in its final stages and shortly after newspaper editor Lasantha Wickrematunge was brutally killed, I wrote in my blog: “Whether they are active online or offline, committed activists in Sri Lanka have their work cut out for them…More work needs to be done in strategy, unity, networking and technology choices. The old order needs to pause, reflect and change their ways. If they can’t or won’t, at a minimum they must get out of the way…”
After all, I added, harmless, herbivorous dinosaurs also went extinct.
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When Worlds Collide #65: When Making Fun is No Laughing Matter…
Text of my ‘When Worlds Collide’ column published in Ceylon Today Sunday newspaper on 5 May 2013
Paper paper shining bright...but for how long? Cartoon by Mike Luckovich
May 3 was World Press Freedom Day – a misnomer in this multimedia age, but nevertheless a cause worth celebrating and defending.
There are various indicators of media freedom including direct and indirect censorship, diversity of media ownership, and physical attacks on journalists and media organisations. A growing concern is how governments and large corporations are trying to control freedom of expression on the web.
Another useful barometer of media freedom can be the level of satire in a society. Satire and parody are important forms of political commentary that rely on blurring the line between factual reporting and creative license to scorn and ridicule public figures.
Political satire is nothing new: it has been around for centuries, making fun of kings, emperors, popes and generals. Over time, satire has manifested in many oral, literary and theatrical traditions. In recent decades, satire has evolved into its own distinctive genre in print, on the airwaves and online.
While providing much-needed comic relief for an over-stressed world, satire serves two other critical functions.
First, satire offers an effective – though not always fail-safe – cover for taking on authoritarian regimes that are intolerant of criticism, leave alone any dissent. No wonder the former Soviet Union and Eastern Bloc inspired so much dark humour…
Second, satire is now compensating for a worldwide decline in serious and investigative journalism. Many mainstream media outlets have become too submissive to authority, or simply indifferent to safeguarding the public interest.
Journalism Deficit
Stepping into this ‘journalism deficit’ are two different groups: citizen journalists, who wield information and communications technologies (ICTs), and political satirists who specialise in getting under the skin of those in authority.
Not everyone is enthusiastic about these trends. Old school media teachers and practitioners still can’t believe how anyone could produce good journalism without formal training, institutional affiliation or any payment. Such cynics, dwindling in number, are rightfully labelled as mediasaurus…
Then there are purists who complain that political satire blurs the traditional demarcations between news, commentary and entertainment.
So what?
For sure, serious journalism can’t be fully outsourced to satirists and stand-up comics. But comedy and political satire can play a key role in critiquing politicians, businessmen and others whose actions impact the public. I would much rather have satirists taking on serious topics than news anchors trying out comedian acts.
There is another dimension to political satire and caricature that isn’t widely appreciated in liberal democracies where freedom of expression is constitutionally guaranteed.
In immature democracies and autocracies, critical journalists and their editors take many risks in the line of work. When direct criticism becomes highly hazardous, satire and parody become important — and sometimes the only – ways for journalists get around draconian laws, stifling media regulations or trigger-happy goon squads…
Little wonder, then, that some of Sri Lanka’s sharpest commentary is found in satire columns and cartoons. Much of what passes for political analysis is actually gossip.
Over the years, we have had talented and indomitable political satirists like Tarzie Vittachi (who wrote in the 1950s as Fly-by-Night), Sirilal Kodikara (creator of Ranchagoda Lamaya) and Dayasena Gunasinghe (who wrote multiple satirical columns before his hasty departure).
Continuing this tradition in more turbulent times during and after the Lankan war has not been easy. Only the bravest have succeeded in staying above party politics and other divisions.
Three Princes of Lankan Satire
Today, I want to salute three of my favourites.
Sundara Nihathamani de Mel, one of the most versatile Sinhala language journalists, is best known for his long-running satire column, Manige Theeruwa (Mani’s column). It now appears in Sunday Lakbima newspaper where he is chief editor. In a first person narrative of typically 300 words, he ridicules and lampoons all around, but with malice towards none.
Across the media spectrum in Ravaya newspaper, its features editor Wimalanath Weeraratne writes the award-winning Wimalege Colama (Wimale’s Column). Every week, he takes off from a current news event and builds an entirely plausible scenario that is both hilarious and provocative.
Both writers are equal opportunity bashers of ruling and opposition politicians. Weeraratne, in particular, regularly parodies the President, while also taking on leading artistes, intellectuals and businessmen. He always names names, and doesn’t spare the men in khaki and those in saffron — two institutions that most Lankan media treat with too much deference. In short, no Sacred Cows for this satirist!
Cartoonist Camillus Perera, meanwhile, has been blasting inflated egos for nearly half a century. He started drawing newspaper cartoons 1966 with the Observer, then under private ownership. Over the years he has created many popular characters, including wily Siribiris, prankster Gajaman, fashionable Dekkoth Pathmawathie, smart alec Tikka and sporty Sellan Sena.
These characters are very ordinary and very real, inhabiting an undefined yet familiar place that most Lankan newspaper readers can relate to. A bit like R K Narayan’s fictitious Malgudi…
Now in his 70s, Camillus is still at it with the Sunday Rivira, where he draws my favourite character, Siribiris, who is Everyman personified: poor, misled by politicians, exploited by businessmen, hoodwinked by corrupt officials, and always struggling to stay alive. He is down — but not out. He hits back with the only ‘weapon’ available: his wits. The irrepressible Lankan spirit in action!
Nalaka Gunawardene (L) chats with cartoonist Camillus Perera, March 2010
Courageous or Foolhardy?
I don’t know if these satirists self-censor their self expression, but they sure push the limits. Reviewing Weeraratne’s first book of satire columns in 2010, I wrote: “I can’t quite decide whether he is extremely courageous, or completely foolhardy, to take on these topics and characters week after week.”
There is no argument, however, that their satire fulfills a deeply felt need in contemporary Sri Lanka for the media to check the various concentrations of power — in political, military, corporate and religious domains.
Do these and other satirists prove that there is sufficient media freedom in Sri Lanka? To the contrary, it is highly revealing that they are often the only ones doing serious political and social commentary in the mainstream media.
Satire is not an easy art at the best of times, and it takes extraordinary courage to practise in times and lands like ours. The cacophonous Lankan blogosphere and the increasingly crowded Twittersphere have yet to produce distinctive satire brands.
However, some green shoots seem promising. Banyan News Reporters on Groundviews.org uses satire to raise awareness on corruption, war crimes, impunity, censorship, civilian displacement, abductions, torture, extra-judicial killings, human rights violations, national security and humanitarian aid. Meanwhile, a growing number of Lankan memes are being released on Facebook.
Oh, while at it, let’s also salute an early act of reader defiance that mocked authoritarian rule long before ‘citizen journalism’ was defined. One day in April 1974, an innocuous (paid) obituary notice was printed in state-controlled Daily News. It announced the death, under tragic circumstances, of a certain D. E. M. O’Cracy (beloved husband of T. Ruth, father of L. I. Bertie, brother of Faith, Hope and Justice)…
This appeared just after the then government had banned political rallies, sealed a newspaper group and imposed other Emergency measures. It was many years later that the writer – Dr Riley Fernando – revealed his identity.
The spoof was emulated in The Times of India in June 1975, and later printed in Reader’s Digest. The incident also prompted all publishers to insist on death certificates for carrying obituaries.
Follow me on my blog:
http://nalakagunawardene.com
, and on Twitter: NalakaG
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